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Or, at least, it would be… eventually. In retrospect this could be seen as Monty Python handing over the comedy sketch-show baton to a younger generation. Off the , lies a toad hole. You must go to it. Do you understand what self-deprecation means when it comes from somebody who already exists in the margins?
Smack the Pony was probably my first love for very funny women. My favourite features of their genius sketches were the dating agency videos and on the internet, good pyjamas, beautiful mugs, chocolate Brazil nuts, and.
When Karin enters a high-ranked university to start her PhD she is brimming with hope and positively overflowing with grit determination to prove she is worthy. After all, she knows that only the extraordinarily learned and the astonishingly intelligent ever hold chairs and professorships She knows researchers are idealists yearning to enrich the stock of human knowledge… She knows university is the apotheosis of civilised culture… She knows… very little….
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An Investigation of a Smack the Pony Performance. Written by: Annette Nielsen. Katrine Engsager Simon. Julie de Molade Skjødt. Supervisor: Anne Fabricius.
Smack the Pony is a British sketch comedy show that was originally broadcast between and on Channel 4. In addition to the three principal cast members, the show was written by many writers, the core of which went on to write Green Wing and Campus. Among the show’s regular themes were unsuccessful relationships, competition in the workplace and latent lesbianism, but sketches would also dip into the surreal. Two regular strands involved a series of different women making dating agency videos about their general likes and dislikes, and a musical parody that would close the show.
The show was created by Victoria Pile after being commissioned by Caroline Leddy of Channel 4 and Peter Fincham at Talkback , who believed that audiences would welcome a female orientated sketch show. The show’s title was intended as a spoof of the kind of stories that would feature in annuals aimed at young girls. Originally “Spot the Pony”, it was changed at Kevin Lygo ‘s suggestion to “Smack the Pony” which some people mistakenly assumed was some kind of sexual euphemism.
It’s Online and It’s Free, So Why Aren’t You Watching ‘Smack the Pony’?
Gutter Balls to describe things that dont work out cackle laughter.. Johnny LaRue Holy catfish! My favourite subject is Fiona Thats gross! Dating Smack Videos the Youtube Pony 5.
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Created by Fiona Allen, Doon Mackichan and Sally Phillips, “Smack the Pony” is a blend of observational humor mixed with physical comedy and the just plain silly. By Laura Fries. And like those other series, some sketches such as the psychiatrist who desperately tries to convince her patient that he has feelings of transference works really well while others like the recurring video dating clips too often fall flat.
Universal themes and comedic targets include Riverdance, the new-age movement, the medical community and Lilith Fair-like rock groups. The menu-length list of writers, however, reinforces the notion that there can be too many cooks in the proverbial kitchen. Although the frenetic energy of a collaborative effort like this can yield some hilarious results, the overall feel is a bit hectic and inconsistent.
Still, director Dominic Brigstocke manages to cull all of this comic energy into what is ultimately an entertaining package with help from Nick Arthurs and Gary Dolliner, two of the busiest editors on the other side of the pond. The three main cast members are a real find — talented chameleons who create new looks and personas for each sketch.
Phillips has a particular gift for accents; Mackichan is particularly adept at playing the hysterical, while Allen does both the straight person and sex kitten with panache. Supporting cast members including Sarah Alexander and Darren Boyd are equally talented and kept fairly busy. However, inconsistent sound quality does pose a problem, especially when dealing with some of the heavier British accents.
Eye-catching title graphics by Swifty and intricate production design by Jonathan Paul Green are above par.
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Anyone wish to swap their favourite Smack The Pony quotes? There are so (Dating vid: Posh lady, not looking directly at the camera) ‘I’m not.
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Outside of the show, Parris and Taylor are both successful stand-up comics and actors in their own right, with Taylor appearing in sitcoms such as Plebs as well as Mock The Week. Meanwhile, Parris is a founding member of the improv comedy group Austentatious, which acts out satirical stories against a backdrop of Jane Austen novels. Which makes them the ideal duo to host the Remarkable Women Awards. Taylor: Weirdly, we both started doing comedy around eight or nine years ago, when we were 26,
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Together, they perform short sketches that range in comedic focus from ladies falling down to the strange ways humans interact with each other to sight gags about unkempt, shaggy muffs. What more could you want? Here, then, is a sample of what makes Smack the Pony great. If these work for you, do check out Goodie the Quaker , the woman who always faces north and Roz.
Every episode ends with a musical parody, and they always poke fun at bands popular at the time. In fact, this kind of competition between women is a recurring theme on the show, and this compilation shows off the best of it:. But the majority of sketches are one-offs that thoroughly investigate a funny idea and then run off into something else, the way comedy should.